| Screenwriter's Retreat at Sundance
"Revising
Your Script for Market" September 17-20, 2010
Welcome to Sundance 2010. This year's retreat features a four-day agenda designed for your success and enjoyment. Let's begin by outlining some of the perks. FREE PARTIAL SCRIPT ANALYSIS I will thoroughly analyze your writing sample of 10 pages. I will evaluate characterization, scene structure, dialogue, flow, and format. My normal fee for this service is $125, but it's free with your registration. This sample can be the first ten pages of your screenplay or a 10-page segment of that screenplay. Please send me your 10 pages by August 16, 2010, so that I will have time to evaluate them before the retreat. $200 Discount In addition, you will receive a $200 discount towards any script evaluation regardless of when you register. PERSONAL ATTENTION I will be available on-site throughout the weekend to help you with situations and questions. I will also arrive early to all sessions and stay late to answer questions.
The bottom line is that you will have an abundance of opportunities to acquire the knowledge, skills, methods, and techniques that you will use throughout your writing life, and that you can't get in any other way.
RARE VALUE As you can see, the freebies, the analysis of your ten pages, and the personal consultation (normally billed at $200/hour) add up to over $500, which reduces the actual cost of the retreat to just dollars, and that doesn't include the value of the retreat sessions themselves. In short, the registration fee is a bargain.
PREREQUISITES AND RETREAT GOAL The completion of one script is required. This retreat is mainly aimed at helping you through the script revising stages with the end goal of selling your work. So feel free to bring a troublesome scene or a nagging writing issue, and give your fellow writers and retreat leader an opportunity to assist you. Let's share our insights with each other. The retreat structure is informal and flexible in order to meet your needs, respond to your questions, and discuss your writing issues. We will have plenty of contact before the retreat begins so that we can make the most of our time together. In fact, I will send you a questionnaire to ascertain your needs and requests after you register. Think of Sundance as a "working" retreat for writers eager to improve their skills. So sharpen your pencil and bring your work! The atmosphere will be relaxing and motivating. Our ultimate goal is crafting marketable material.
RETREAT AGENDA Thursday, September 16, 2010 Sundance is 46 miles from Salt Lake International Airport. A map will be provided after registration. Private autos are okay; campers and other large vehicles are not allowed. Click here for transportation options from the airport. Once you arrive at Sundance, a retreat package will be waiting for you when you pick up your cottage or room keys. Lodging information can be found on the registration form.Stroll around and breathe the mountain air. It's a good day to look around and have fun. Click here for free time ideas.That night from 7-8 p.m. (September 16), I'll be in the Wasatch Cabin waiting to meet you with light hors d'oeuvres. This is an excellent opportunity to meet the other writers that will be attending. There is no requirement to attend this little occasion (which can continue to 10 p.m. if you wish); this is purely a social gathering.
Friday & Saturday, September 17 & 18, 2010 9:00 a.m. 4 p.m. Wasatch Cabin. See photo of our cabin taken at 2006 retreat. A meal will be provided on both days. On Friday and Saturday, we will discuss specific issues relevant to developing and revising your work-in-progress. That includes answering your questions. We will analyze excerpts from produced screenplays for dialogue, narrative description, dramatic impact, flow, and so on. We will also view clips to see how the written scenes play on the movie screen. We will plumb your creative depths and help expand your creative power. We will review key micro spec writing and revising issues, and you will see ways to improve your dialogue and narrative description. We will address Act 2 problems, character arcs, directing the camera without camera directions, and other relevant revising issues. We will also review what studio readers look for in a screenplay and what makes a script salable. I will provide revising exercises to complete in class and on your own time. The focus will be on specific revising tools in light of proven dramatic/comedic guidelines. On occasion, we will break into pairs or teams for a writing activity. Think of this as a "working" retreat. Sharpen your pencil and bring your work. One of the keys to improving your skills is to read and be read. Thus, if you so choose, I will orchestrate an opportunity to have excerpts of your work or your script read by one or two other writers; you, in turn, would agree to read and comment on the work of one or two other writers. After 4 p.m. Free time. Click here for ideas.
Today you can dig in and write, revise, reflect, read the work of others, chat with fellow writers, work on any retreat assignments individually or with your team, meet with me privately, or prepare for Monday's session. It's a free day. The Wasatch Room will be available to all on this day from 8 a.m. to 6 p.m. A hearty breakfast will be provided. I'll be on hand for private conferences. Most of the 30-minute one-on-one sessions will be held on this day. For those interested, I can organize a hike to Stewart Falls. See photos of a previous year's hike. For other free time ideas, click here.
Monday September 20, 2010 9 a.m. noon Wasatch Cabin. A "graduation" lunch will be provided at noon, and we will adjourn. However, I will be available until 4 p.m. for those who stay. During this session, we will discuss your writing (and reading) experiences over the weekend in light of Friday and Saturday's discussion, and with a focus on solving specific revising (and writing) problems. We will also discuss any selling issues that you wish and the realities of today's marketplace. We will explore a dozen ways to enter Hollywood through the back door. I designed the retreat to address the key issues, principles, and techniques on Friday and Saturday, and then apply them to your work on Sunday and Monday. So Monday's session will flow naturally from the previous three days. And everything will be designed with the idea of making you a much better writer by Monday night than you were on the preceding Friday.
REGISTRATION DEADLINE Registration is limited to only 15 writers, so early registration is strongly suggested. The retreat sells out fast every year.If you have any questions, call me at 1-800-264-4900 or me.
Photo © Dale Meier, courtesy Utah Pictures |
||||||||||||||||||||||||||||||||